He doesn't rely on a super spell, a doomsday wand, or a surge of supernatural power. Thematically, it makes Snape the most intriguing character in the Potterverse. It isn't a perfect adaptation, nor is it a perfect film. The last film in the popular Harry Potter series was a huge success for Warner Bros. With the double and triple crossing and horcruxing that littered previous Potter films all but exhausted, the story is at long last able to hone in on Harry and Voldemort's contest of wills and wiles. Wands crackle, magic sizzles, dragons screech, giants topple, heroes weep, villains shriek, and gods fall.
When last we left our faithful heroes -- Harry Potter Daniel Radcliffe , Hermione Granger Emma Watson and Ron Weasley Rupert Grint -- the haunted and hunted young wizards were completely isolated from their teachers and friends for the first time in their lives; on the run and battling for their very existences after burying a dear friend following a too-close-for-comfort encounter with Death Eater Bellatrix Lestrange Helena Bonham Carter. He's come an undeniably long way, but he reaches his destination thanks to the same never-say-die spirit that's driven him through the entire series. » Show more for Harry Potter and the Deathly Hallows: Part 2 3D Blu-ray. Voldemort wants to be feared; Harry just doesn't want to be afraid anymore. There are also far more scenes that take advantage of -- or try to take advantage of -- the 3D presentation: a winding roller-coaster ride through the caverns of Gringotts, a daring escape on the back of a dragon, the vast halls of Hogwarts, a near-death encounter with a trio of fire beasts, the clash of Voldemort's forces and Dumbledore's Army, and, of course, the final showdown between the Boy Wizard and the Dark Lord, a battle that exhibits more patented 3D pop than any other sequence in the film. Over the course of their winningly candid, rapidfire conversation, they delve into Radcliffe's casting, the character of Harry, Rowling's role in the films' production, the story and its themes, the details about future books Rowling shared with different members of the cast and crew, favorite characters and moments, and much, much more.
Better still, edge definition is crisp and satisfying with only a hint of ringing to contend with , a faint veneer of unobtrusive grain lends the image a beautiful filmic quality, every set and costume looks as lived-in and worn as it should, and clarity is, in every instance, as forgiving or foreboding as Yates and Serra intended. Slowly stripped down to his slithery core, the Dark Lord finds himself on a crash course with mortality, a descent Fiennes plays with a sense of sweaty unease and weary restlessness; qualities we just haven't seen in Voldemort before now, qualities that make him that much more fascinating. Quiet, thoughtful moments precede every Death Eater storm, and the nuances and subtleties of the film's atmospheric soundfield are magnificent. Don't search too long and hard; some answers simply aren't provided in the course of the film and can only be found in Rowling's text. Toppling towers thunder to the ground, rubble roars as it scatters, explosions erupt with ferocity, dragons screech with authority, rickety vault carts clank and clunk heavily and heartily, giants lumber, halberds crash to the ground, and magic bolts tear through the soundscape.
Harry Potter and the Deathly Hallows: Part 2 has it all. Rowling's burgeoning wizards and warriors deserved a big screen finale of sky-splitting proportions, and returning director David Yates and series overmind, screenwriter Steve Kloves, were more than happy to oblige. Ultimately, it might just be the finest sequence of the series; the one that will change the way you watch the films the next time you stage an eight-entry marathon. Make no mistake, Harry Potter and The Deathly Hallows sounds even better than it looks, and that's saying a lot. » Show more for Harry Potter and the Deathly Hallows: Part 2 Blu-ray.
Thankfully, the magic of home video rectifies the disconnect somewhat, even if there are still too many tiny twists and turns that aren't given enough explanation. Over the course of their winningly candid, rapidfire conversation, they delve into Radcliffe's casting, the character of Harry, Rowling's role in the films' production, the story and its themes, the details about future books Rowling shared with different members of the cast and crew, favorite characters and moments, and much, much more. Suffice it to say, Harry Potter and the Deathly Hallows: Part 2 impresses and then some. It barely pauses for an opening title sequence; the theme that has so dutifully accompanied Harry Potter for eight films now offers little cheer or refuge, and even less relief or respite. Don't blame the encode, though, if you notice any instance of it at all. Harry, Hermione and Ron take several bold, long-awaited steps into adulthood, each in their own way, and Radcliffe, Watson and Grint come full circle, their once-rosy cheeks faded but their talent and performances in full bloom. Nearly every Hogwarts student, teacher, denizen and outcast is given his or her own moment to shine as well.
Darkness presses in from all sides. And Alexandre Desplat's somber score? Or chalk it up to the sheer amount of plot points, characters and set pieces it has to nurture or, on occasion, neglects to nurture. Any loss of detail traces back to the original source or the tint of the 3D glasses , not the studio's high definition encode. Based off the film Harry Potter and the Deathly Hallows Part 2 starring Daniel Radcliffe, Emma Watson, and Rupert Grint. It isn't a perfect adaptation, nor is it a perfect film. The 3D presentation isn't a complete loss and even boasts a few standout moments, but it isn't armed with the might and magic that could have made it a 3D legend. To its credit, The Deathly Hallows: Part 2 doesn't waste any time.
But it isn't all shock and awe. Thankfully, the film itself, whether viewed in 2D or 3D, remains a gorgeous entry in the Potter franchise. Potterphiles who've pored over every last page won't bat an eye at the exclusions, but those weened on the screen adaptations alone will be left wishing Yates and Kloves had added another ten or fifteen minutes of material, expositional or redundant as some of it may have been. Harry's is a journey of actualization, one that isn't dependent on his own strength but rather on that of his friends and fellow wizards. Toppling towers thunder to the ground, rubble roars as it scatters, explosions erupt with ferocity, dragons screech with authority, rickety vault carts clank and clunk heavily and heartily, giants lumber, halberds crash to the ground, and magic bolts tear through the soundscape. It had to end, and it ended in style. As delicate, graceful and climactic as it should be.
To its credit, The Deathly Hallows: Part 2 doesn't waste any time. Moreover, artifacting, banding, aliasing, aberrant noise and other unsightly distractions are nowhere to be found. The battle is drawn at Hogwarts as many people fight to protect Harry Potter. Oh, it doles out as many arresting character beats, tragic developments and heart-wrenching realizations as previous Potter entries, but it does so while drawing upon everything from Die Hard to Braveheart to The Matrix Revolutions of all things. Better still, artifacting, banding, aliasing, aberrant noise and other unsightly distractions are nowhere to be found.