All he wants to do is take pictures. Later in the story, he rescues her from a suicide attempt. As per the instructions of Sony, Jyothi Lal and his gang kill a plot owner, who is the husband of Liji Punnose. Since he is facing charges Surya is forced to have relations with the courts in order to get his charges dropped. It received predominantly positive reviews from critics.
IndiaGlitz - Its Showtime, Anytime. The gang that is after Lal arrives at the scene of the accident and tires to kill then and there. They realize that the love is mutual and start living together. While they start off on good term they get in trouble with a rival gang and are in danger. However, their vehicle is in the same accident which Swarnavel and Marathakam had.
The pace is meditative and taxing for the lay viewer, who has been spoon-fed with every development in the plot being underscored by dialogues or background music. Two boys growing up in a violent neighborhood of Rio de Janeiro take different paths: one becomes a photographer, the other a drug dealer. The film uses the format as its narrative structure, a technique first used by in his 1962. Welcome to the City of God. Liji marries Shamir and goes to Dubai for further business. Overall, City of God is a good watch when compared to the senseless stuff we have endured in this holiday season.
She ends up leaving her husband to be with Swarnavel and they are able to escape the craze of her husband to end up in an accident. Rocket has watched these two gain power for years, and he wants no part of it. The following day, Swarnavel rescues Marathakam from her old husband and tries to escape on a moped; they have an accident. A city where God has apparently deserted his illusory throne and vanished without a trace. The background score is known for its experimental approach and its dark theme; it received wide attention from critics and moviegoers alike.
In the final scene, Swarnavel and Marathakam marry each other and settle in a scenic village, living happily ever after. Marathakam and Swarnavel know that they love each other, but they don't show it. Sony and Jyothi Lal are business men who deal with gang activity. The Tamil migrants follow Swarnavel who falls in love with another migrant worker named Marathakam. The gang arranged by Shamir and Liji Punnoose arrives at the accident and tries to kill Jyothi Lal, too.
City of God is a movie set in India. Jyothi Lal takes Surya to Sony's guest house to collect the papers and they pick up Sony on the way. Yet he keeps getting swept up in the madness. The next story deals with the life of businessmen Sony Rajeev Pillai and his forehand Jyothi Lal. They all end up in the accident and Sony dies almost immediately. This movie uses great scenery including the background setting and music to tell a great story while showcasing the best of this culture. This film used what is considered hyperlink cinema as is told as a narrative.
Her husband gets arrested by the police for allowing hazardous conditions at his place of business. Because of some personal benefits, Lakshmi breaks their relationship and forces Marathakam to marry another migrant. Jyothi Lal escapes with Surya and they began to realise the importance of each other in their future life. The film tells the story after there is an accident in the road and affects the lives of four different families. Swarnavel and Marathakam are able to get married and end up living a peaceful life.
Sony, with the intention of collecting Surya Prabha, cheats Mehaboob in the construction business; the police remand Mehaboob for the inadequate and unsafe construction practices which had caused the death of the Tamil migrant Lakshmi. He causes violence and fear as he wipes out rival gangs without mercy. To make a more realistic feel, uses two songs as being played on the radio, one song on a marriage function, and one for the movie shooting and other two as background scores. Liji Punnosse identifies her husband's murderer as Jyothi Lal and associates with another businessman, Shamir, plot revenge and destroy Sony and Jyothi Lal. But here the viewer is required to invest his intellect and undivided attention to grasp the proceedings.